Update (April 2010):
Education is our best defense against the illegal use of our images. And apparently even the well-educated have a hard time grasping the concept of why using images without permission is
stealing.
Read the comments in "
Big Mother gets her shot at cutting health costs" by Dana Blankenhorn. He originally used an image by a famous illustrator without permission. When called out on it, he actually defended his position! (And he admitted to doing the same thing countless times in the past.) I'm not sure how he could feel justified after the slew of thoughtful and passionate comments from people who make their living as illustrators - people who were completely horrified.
The reason I bring up this example is because it's important to know this happens all the time. It's also important to know that the internet has created ways for illustrators to find the infringers - through Google Alerts and such. I have personally had to go after businesses who have used my images without permission or compensation. (They get paid to do their job, why shouldn't I?) It places me in an awkward and difficult position, along with cutting into my ability to make a living. That's a very real threat to me.
So, on to the discussion of Orphan Works...
I don't usually talk about politics on my blog, but this particular issue directly affects me as a freelance illustrator.
Have you heard of the Orphan Works Legislation that's been sneaking through the House of Representatives? Well, if this Bill goes through, it could directly affect my business - not in a good way. Right now, when I create, I own my creation. It's an automatic copyright. Seems logical. I created it so I own it.
I make my living by people paying me to use my art.
But sometimes when a person wants to use a piece of art, nobody knows who the artist is, or they can't find them. That's an Orphan work - a creation (music, art, a photograph, etc.) who's creator can no longer be located and therefore permission cannot be saught or compensation offered for usage of their work. Orphan works do exist, and libraries and schools do have legitimate reasons for wanting access to be able to use these works.
But that's not what this Bill is about. It started out that way but quickly morphed into a way for commercial businesses to use artwork without much research and without much recourse for the artist.
Here's the gist: Let's say there's a big t-shirt company (I mean
really big) - that wants to use a piece of art for their company logo which they found on Google Images - a great sketch of a happy sun - they want to use it on
everything they produce.
They can do what they call "due diligence" (this term has not been defined in the Bill) to find the artist, and if they can't find the artist, they can declare it an orphan work and use it anyway.
Say the artist finds out, because the image is now in every store in America. The artist can sue the company for damages, but there's a cap on how much the artist can sue for (not a very high cap).
And here's where the Bill protects the abuser and not the artist: the Bill is so loosely defined, loop-holes abound, and if the big corporate lawyer is better, and more powerful than the lawyer a poor little freelancer can afford - the company doesn't have to pay the artist a dime and the artist is out the legal fees they spent and time wasted (which translates to income in a freelancer's world). Most of the time it will literally makes no sense for an artist to go after an abuser (this is true even in today's system).
One argument to protect artists against abuses is to create a database for all works to be registered. Sounds logical? Well, this database does not exist yet. The software to search the work in a database does not exist yet. (I'd like to see it search for abstract art.) Whether or not this would be a non-profit or profit driven database has not been determined.
In other words it could cost me money to register
every single thing I draw or I don't have any rights to
my own creations.
Let's say that unlucky artist drew that happy sun on a cocktail napkin - there's nothing in this Bill saying how much that artist would have to pay to register that cocktail napkin.
Reality check - people illegally download my work for their personal use
all the time. Yes, I make my coloring pages available and free for non-profit uses, but I have other images on my website that have been downloaded literally
hundreds of times (I can follow this in my stats) - work that I never gave permission for and was never compensated for.
So why do I have my artwork online? Because I'm a freelance illustrator and to get new work, I have to advertise myself with an online portfolio. So while it's really rotten, theft happens.
Beginning to get the picture? This Bill protects the abuser, not the creator. It could severely cut into my ability to charge for what I do and how I make my living.
So what can you do to help stop this Bill from going through?
SIGN HERE. Our biggest enemy on this legislation is that nobody has heard of it. One Congressman supposedly thought it was about orphan
children. Another was quoted as saying "we must protect the consumer" (implied: not the creator). What!?
So, please
SIGN HERE. It's time to get as many people aware of this bad legislation as possible and start shouting about it to our representatives. The ability for me to continue creating art could hang on this - so please go
SIGN.
Well, I seem to be all about movies suddenly but I have to share. Pixar has done it again, they've created a masterpiece. Hubbie and I just got back from seeing WALL•E and it was fabulous. Sci Fi junkies will love the references to 2001, Idiocracy, and Star Wars. Inside jokes abound. But more amazing than anything is how they animated this little robot and make you fall in love with him . . . AND his pet cockroach. I never thought I'd say a cockroach is cute. Superb, truly superb.
The pale yellow is my neutral, the main colors are Orange, Lime and Teal.
I have a treat for y'all today! It's been a while since I've hosted an author on my blog, and today I'd like to introduce you to 
I used to make simple repeats when I worked for a children's clothing company (wayyyy back when). I occassionally still do it, like for the endpapers for Paco and the Giant Chile Plant (which I am using as the background for my website right now). But this is the best tutorial I've ever seen on making a complicated pattern in repeat.