Heidi Stemple's JANIE WRITES A PLAY

Jane Yolen's daughter, prolific author Heidi Stemple, who also teaches in our graduate programs at Hollins University, has written a book about her mother's writing journey called JANIE WRITES A PLAY (illustrated by Madelyn Goodnight, published by Charlesbridge, Feb. 11, 2025). I'm happy to share this very special book release. Heidi dropped by to tell us more about it.
     My mother is a storyteller.
     Actually, that may be selling it short. If you know children’s books, my mother is THE storyteller.
     I am an author. Have been for 30 years and almost 50 books. In my family that makes me a slowpoke.
     My mother is Jane Yolen, author of 450 books. But, the book I want to talk to you about today isn’t one she wrote.
      My mom has been telling me the story of her “first big success as an author” for as long as I can remember. The story began: I always knew I wanted to be an author, my first big success was in the first grade when I wrote our school musical…” If you tell my mom about an incident like that, the first thing she will tell you is, “that’s a picture book! Go write it!” And because of this, I always assumed she would write the story herself someday. She never did. So, in late 2019, I sat down and started writing. I realized I didn’t have a ton of facts about this play, so I filled in the parts of my mom’s young life that I did know and fleshed out the story. At this same time, my mom had surgery after a nasty fall. While she was recovering, I continued working on the manuscript. When it was done, I read it to her.
     She was thrilled.
     I asked her a bunch of questions and worked those details in. I switched things I had gotten wrong. We had a fun time talking about her neighborhood and class.
     She and I were scheduled to teach a picture book intensive at SCBWI in NYC, but since she was still not so steady on her feet, she decided to back out. I asked one of my favorite editors, Yolanda Scott, to present with me and she said yes. When I visit NYC, I always meet with my agent Elizabeth. I brought her the manuscript and a crazy idea. “I want to hand the manuscript to Yolanda because she is my dream editor for this project…” Elizabeth agreed, even though we both knew it was bad form to hand your editor an unsolicited manuscript at a conference. (Please don’t do this!) To my great relief and joy, Yo was happy to hear about the concept and promised to read it. This was February, 2020. We had no idea what was on the horizon.
     Fast forward into what happened next—the pandemic. Everything was topsy turvy and books seemed less relevant and more relevant all at the same time. I spent my time making masks for teachers and librarians, posting free content for kids at home, and I wrote a lot. When it became clear that we were in it for the long haul, publishers began to settle into this new normal and Yo bought the book! This was still early 2020, April, I think. So a pretty quick purchase.
     You know what the BEST part was? I got to tell my mom that I had sold the book about her. I asked her how she felt about it. She told me this: “I feel proud at the wonderful job you have done and thrilled that I didn't have to write it!” When the first copy arrived at her house, (for some reason, Charlesbridge sends all our books to her house—but to be fair, we live next door to each other, share a PO box, and are fine with these mailing glitches) she didn’t read the name on the envelope. So, of course, she ripped open the package and she was the one who got to see the actual book. I may have been a little disappointed that I didn’t get to be the first one to open it… but, also, it seemed right for her to be the first. It is, after all, her story.
     Madelyn Goodnight’s art is perfect. When Yo presented her as the potential artist, she said, “she is so talented… she can do it all!” And since I was already a fan, (I mean, have you seen her color pallet in Traci Sorrel’s POWWOW DAY?) I got onboard at day one. I sent off photos of my mom as a child, my grandparents with young Janie, and some pictures of NYC during the 1940s.
She added so many cool things—the words swirling around little Janie as she writes in her notebook is my favorite. Oh, and the endpages!! I love the endpages! Madelyn made them into bookshelves with titles of my mom’s books. They are cozy and informative and so colorful. The perfect opening—both meaningful and playful. When an illustrator comes aboard the project, it ceases being just a story and it becomes a book.
      At the last minute, when the illustrations were done, all the revisions were in, and the book was set to go to print, my mom and I were in the car and we were talking about the book. She started singing one of the songs from the play. I pulled over and typed the lyrics into my phone and sent them off to Yo. She managed to get them into the illustrations!
     When I asked my mom to tell me what her hopes for this book are. She said she hope kids will think they can be the next Janie. As a follow up, I asked her, “do you hope people will buy this book?” Ever the pragmatist, she responded “Oh Heidi, everybody who writes a book hopes that.” Thankfully she redeemed herself by adding, “but, for me, this book is special for two reasons—one it’s my story, and two, it’s your telling.”

Thanks Mom!
Love you xoxoHeidi

Kerry Madden's WEREWOLF HAMLET

My good friend Kerry Madden has a new book out, and it's a book of her heart. I can't wait to read it! She dropped by to talk about...
My new children’s novel, Werewolf Hamlet, is coming out into the world. It’s my most personal novel aside from Offsides, which came out, almost thirty years ago in 1996 and was a New York Public Library Pick for the Teen Age in 1997. My older kids were six and eight when Offsides was published, and I remember Doug Dutton of Dutton’s books in Brentwood kneeling down to help my son with his necktie. Flannery wanted to wear a tie to my signing at Dutton’s, and my husband was driving from his teaching job in South Central to meet us, so he couldn’t do it, and I couldn’t figure out how to do it on our rush to drive to the Westside in LA traffic from Silver Lake.
      I still don’t know how to tie a necktie, but I remember thinking – remember this – as I watched Doug kneeling and looping Flannery’s tie in a perfect knot.
     I remember Lucy saying, “Why don’t you sign me a book? Huh? You sign one to everyone else. I want my own book.”
     So, I signed her one, and she drew a self-portrait in the book.
     How was it all three decades ago? Time is slippery, the years piling up one after another. Now Lucy is married, a mother, and the executive director of a preschool with three branches in Chicago. We have a trans son, Bo, who was born two years after Offsides was published, and while I was pregnant in 1998, I received a letter saying Offsides was going out of print. I felt like such a giant, broke, and pregnant failure. I couldn’t even afford to buy copies of my novel about to be pulped. It was also the scorching summer Mark McGwire was hitting a gazillion homeruns, and Flannery looked at my calves while baseball blared and said with pride, “Mama, look! You have Mark McGwire calves. So cool!”
      Werewolf Hamlet is my ninth book, coming out with Charlesbridge Moves, Eileen Robinson’s new imprint for reluctant readers. I learned that Charlesbridge Publishing keeps books in print and for that I am grateful. I don’t have to strike it hot within three years before the book gets pulped. All my books, although well reviewed, went out of print due to lack of sales.
      But Werewolf Hamlet is a story I didn’t want to write. I didn’t want the story to be mine. I wanted a different version, and it began very differently when I wrote the first sentence in 2008. It was going to be a lark of a novel, a romp, and a way of capturing my children’s childhoods. I wrote it first as a diary, and then an editor warned me that Diary of a Wimpy Kid would kill it, so to write it as a traditional novel, because she loved the premise and the first draft. Then she left the publishing house, and it was inherited by a new editor, who didn’t love it. I rewrote it some more, and it was rejected by one and all in 2014, so that was that.
     In 2013, addiction came to our family. It was the monster at the door. It didn’t just knock. It barged in and took root - deep, ugly, gnarled roots. For the last twelve years, we have been on a journey with our son, who currently makes his home beneath a bypass in Silver Lake. In the beginning, when I protested to a counselor – “How can I have a kid who is an addict? I write books for kids! My son was my editor and inspiration for so many stories. So were my other kids.”
     Unimpressed, the counselor shrugged. “Write the book for the kids who need it.”
     I resisted for a while, but since nothing I was doing (trying to rescue-fix-save, etc.) was making one bit of difference in “helping” Flannery, I took an early version of Werewolf Hamlet, and I began to write all the things that scared me about the freight train of addiction, and I channeled it all into a ten-year-old, determined to save his big brother. I put a Post-it note on my desk that said, “It’s for kids!” to keep my saggy-sad-sack mom voice out of it.
     I found a brilliant editor, Karen Boss, who understood on a deep and intrinsic level what I was trying to do, and she helped me find the heart of the novel. I’m both delighted and terrified as we approach pub date. Instead of doing a traditional reading for the launch, I’ve asked two young actors to play the brothers in some of the “interlude” scenes that take place between each chapter called “Conversations with Liam in the Night.” I wrote these interludes when my dear friend, Jennifer Richard Jacobson, told me “There are no quiet moments in your novel.” She was right, so I decided to write dialogues between the brothers, ages ten and seventeen. I found these so effortless to write because I imagined these brothers talking to each other, arguing, insulting each other with the “Shakespearian Insulter” while the younger one, Augus Gettlefinger, tries to rescue-fix-save his beloved big brother, Liam, who is rapidly changing and sneaking in and out at night.
     Someone asked me what I hope kids take away from this book, and I hope that if they learn anything, it’s that they don’t have to save anybody today. They can still love and care for the person who is causing them pain, but they still get to live their own lives and find out what they love to do whether it’s putting on plays or making movies or playing baseball or painting or drawing. Werewolf Hamlet is the book I didn’t want to write, but it’s the book I needed to write, and maybe it will offer solace or comfort to a kid who trying to figure things out and make them laugh too. It’s my love letter to my children, whom I love so deeply, and to the city where we raised them, Los Angeles, where my heart will forever reside, even more so after the devastating fires.
     As a lonely and awkward child, I read tons of books to feel less alone, and I hope Werewolf Hamlet makes readers feel less alone in the world too.

The book is already getting great reviews and an award!
*BOOKLIST gave it a starred review and says that is is:
a story that is rich in wise insights, comical and emotionally wrenching moments in turn...

It has been awarded a JUNIOR GUILD LIBRARY SELECTION GOLD STANDARD, 2025
BRAVO!
Photo by Sonya Sones