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Thursday, November 26, 2015

Laura Ljungkvist's SEARCH AND SPOT ANIMALS - Guest Post

Search and Spot, Animals!
by Laura Ljungkvist

      I can’t believe that search Search and Spot, Animals! Is my tenth book. It takes such a long time between completion and publication of a book, that getting the box with your 20 copies is a moment full of excitement and a little angst. What if I don’t like it?
      Going back to my editorial illustrating days, I always had a hard time looking at my things after they are just published in a publication or wherever it was. I am so hard on myself. So, after a quick glance, I put it away in a drawer in my flat files and when some time had passed and I look at it again, I can be more neutral and less emotional.
      So it was with sweaty palms that I opened the box Houghton, Mifflin, Harcourt. What if the colors were off. What if the bugs were impossible to find, what if….?
      Of my ten published children’s books, 9 are written by me. I was asked to illustrate Mem Fox's book, Yoo-Hoo, Lady Bug! a couple of years ago. It writing, it was a “search and find book but with Mem’s beautiful” writing. I enjoyed doing that so much that I got the idea to do my own “search and find book”.
      One of my teachers in art school once said to me that I have a fear of white space. He was right. If you look at my body of work, the art tends to fill up the space. As a child I was drawing patterns and obsessively filling page after page.
      I also drew lots of animals, especially horses. I have many, many animal drawings, in my drawers going back to my childhood. So, my “search and find” book was going to be a work of love – patterns and animals! Voila – Search and Spot, Animals!
           When everything has been approved and agreed on with my publishers team on a book project, it usually takes me about 3 months to do all the final artwork for a children’s book.
      However, my first 2 children’s books are painted in gouache, and it took me a whole day just to paint half a background or the pattern on a dress. When I got a MAC computer and started working in Photoshop things went much faster. Unless I scan in a drawing made on paper, I have a drawing tablet with a special pen that acts just like a mouse, so I am still drawing, I’m just using a different pen - “Digitally drawn”!
      Very often I find that things “come to me”, and I get ideas and inspiration as I am working and going to final on a book. That’s why I try keep sketches quite general, so I am not too “locked in” but can allow those ideas to flourish.
      One of my favorite spreads in the book are the horses. That spread is a perfect example of doing something that I think is beautiful, and getting that extra idea for the text, concept and questions as I am working.
     I like the challenge on this spread. Readers are asked to find different colored horses. Some horses have a solid color and some are drawn in just a line. Could lead to some interesting questions for children? I a horse really pink if it’s drawn with a just a pink line?
      And then there are the dogs! Try and find the photographed French Bulldog!

     My goal was to make different kinds of challenges for the reader. In some searches you have to turn the page and find what you are asked to look for on the next spread. In some cases there are some animals shown and you have to find them on the same spread. Then there are searches were you are told in the text what to look for.
      And then, there is my favorite thing that I try to do in all my books. One final search that makes the reader go back and search through the whole book again! So much fun!
      The follow up to “Animals!” is just completed, Search and Spot, Go! It’s full of boats, helicopters, busses, bikes and tractors. So now I’m waiting to open open another package with sweaty palms - test prints (or f&g’s as we say).
     Oh, BTW, I loved “Animals!” when I opened the box! It accomplished just what I set out to do and I had so much fun doing it!
Check out Laura's groovy studio space with her dog Lola:

Wednesday, November 25, 2015

Process vs. Deadlines

One thing the University has wanted of me, has been to see my process. This may sound easy, but it's been a major shift in the way I usually work. Why? Because for most of my working career I've been dealing with deadlines. Deadlines don't allow you to meander and try various ways of attacking an end goal. With a deadline, you think something through in your head and you go for it. Then you send it off and get paid.
     Books are a slightly different beastie in that I always made tons of sketches, and sometimes played with some new digital methods, but it still didn't go quite as far as this.
     Here at the College of Art, they've asked me to show my process - that part that happens in my brain. They've also asked me to meander and try different media, styles, techniques before deciding which might work for my current project. Basically, they want to see my brain on the outside.
     Once I figured that out, I was able to dive into this new way of working and document it. In fact, one of our required projects is an almanac - basically, a diary of our process.
     So I bought a gorgeous sketch book and I started putting my ideas into it. It also includes sketches, images of influential books and art, pictures of various workshop projects, etc. Judy Schachner would call this a 'character bible' - she's done one for every one of her books. But until now, I didn't really get it. Happily, I'm starting to.
     It was also the reason they had us take a book-binding workshop - to learn to create an almanac (or bible) from scratch. Between my sketch book and my handmade book, I didn't want to create one more book, but I did want to collate these creative volumes. So, for my almanac project, I created a box to keep these two items in. I also might include other floaty things like pretty feathers and leaves.
     It turns out there is a ton of skill involved in making books and boxes - and a ton of little tricks of the trade. (Read my post about book binding here.) I will forever have a greater appreciation for these handmade treasures. My box isn't perfect, but I'm pretty darned proud of the end result.
     Here is is just opened, revealing the caramel paper lining inside and the two books - my sketchbook and handmade book, which will soon be full of Trickster paraphernalia (more on that soon).
Here you can see how the books pull out.
And with the books pulled out. I opened my handmade book so that you can see how the end papers and decorative details tie in with the box design.
My next step will be to make labels for the books and the box itself. I've cut a lino block, which reads "e's process, a.k.a. e's brain on the outside." (I used the easy carve board - which I will never use again - pah!) And I cut out the word Tricksters, which I will use for a new (to me) printing method - collagraph. More on that soon, too.
     In the mean time, I have so enjoyed being able to take the time to explore various methods and run down different rabbit holes. Using glue sticks and scissors speaks to my inner creative child. I hope I can keep it as part of my process in the future. It's so much FUN and makes me feel like a true artist!

Tuesday, November 24, 2015

Coloring Page Tuesday - Gobble Gobble!

     Thanksgiving isn't a holiday in the UK, although the idea of a day dedicated to giving thanks is thought to be charming. And there are plenty of Americans on this side of the pond trying to create that classic family feast. Although, finding a turkey can be difficult!
     CLICK HERE for more Thanksgiving-themed coloring pages!
     CLICK HERE to sign up to receive alerts when a new coloring page is posted each week and... Please check out my books! Especially...
my debut novel, A BIRD ON WATER STREET - winner of six literary awards. Click the cover to learn more!
     When the birds return to Water Street, will anyone be left to hear them sing? A miner's strike allows green and growing things to return to the Red Hills, but that same strike may force residents to seek new homes and livelihoods elsewhere. Follow the story of Jack Hicks as he struggles to hold onto everything he loves most.
     I create my coloring pages for teachers, librarians, booksellers, and parents to enjoy for free with their children, but you can also purchase rights to an image for commercial use, please contact me. If you have questions about usage, please visit my Angel Policy page.

Sunday, November 22, 2015

Sam Lee on Song Collecting

I love the passion Sam Lee shares in his experiences of collecting ballads and folk music. This is the journey I feel I'm on (but more so with stories than songs). It's all about valuing our history and recognizing the archaeological treasure that exists in our oral traditions. So interesting!
Thanks to Terri Windling for bringing him to my attention!

Saturday, November 21, 2015

Illustration Challenge #24

I've been taking a figure drawing workshop from my friend Kasia here at the University of Edinburgh. She's a truly fabulous teacher and pushes me to try new things. So here's one for you... draw something with one line. Don't pick up your pencil until its done.
     And feel free to share a link to your piece online in my comments, if you like. Or keep it to yourself - these are just exercises after all!

Friday, November 20, 2015

Friday Linky List - 20 November 2015

From StumblUpon: 13 Vital Reminders For Writers. (Ignore the last one.)

From SLJ's and Travis Jonker's 100 Scope Notes: Calde-Snacks - "So I decided to ask the 2015 Caldecott class to name their favorite snack. I heard back from most. Their answers were nothing short of enlightening."

From the Scottish Book Trust: They Whys and Hows of Creating a Reading Den

From SLJ & Travis Jonker's 100 Scope Notes: We Publish Caldecott Winners - interesting!!!

19 Amazing Caterpillar Transformations - click on the images to see what these caterpillars look like as butterflies. Which do you think is prettier? VERY cool!

From The Children's Book Academy Blogettes: "Staying Found when you Feel Lost" - Boy, can I relate to this one!

At Jonathan Bogart (via SCBWI British Isles): Exist Yesterday: French cartoonist Jean Ache, “Little Red Riding Hood” after seven different painters, from Pilote, 1974. Groovy!

From The Slate Book Review - A Conversation With Philip Pullman: The Golden Compass author on loneliness, Romanticism, the meaning of the "young adult" label, and why we all want daemons.

Thursday, November 19, 2015

Dana Simpson's UNICORN ON A ROLL - Guest Post

Guest Post
by Dana Simpson

      Sometimes a unicorn turns up and changes your life. It happened to me.
      Some background: I wrote and drew a web comic called “Ozy and Millie” for ten years. I never meant it to be a web comic. I had visions of newspaper syndication in my head. I still have a stack of rejection letters from that time, in a drawer.
      I had nearly given up on that dream after a decade, though. I ended the strip and began assembling my portfolio to maybe pursue some other ways of making money from my art. It turned out that my 20-year-old self, who thought getting syndicated might happen quickly, was being a touch unrealistic. And then a friend told me that Universal Uclick was holding a talent search competition, one of the prizes of which was a development contract for a potential syndicated strip. And I thought “I’m as qualified to win this contest as anybody on the planet.”
      So I scraped together a 14-strip sample of a proposed new strip. I settled quickly on a protagonist: a dark-haired, freckle-faced little girl, who may bear at least a passing resemblance to a young me. I didn’t give her a name; I just called her “Girl.” Which was also the title of the strip. The concept was, she spent all her time hanging out in the forest with various talking animal friends, all of whom were called “Bird” or “Rabbit” or “Dragon.” They didn’t go by actual names, so neither did she. I still think that’s funny.
      I recycled some Ozy and Millie scripts, to get to 14 strips. It wasn’t a fully formed strip concept. It was a seed.
      And I won the contest, so I had to make the seed grow into something.

      Once again, my expectations were unrealistic. (I had just beaten a whole bunch of people in a contest; possibly it went to my head.) I thought “I’ll just flesh out this 14-strip sample, and it’ll get launched in papers, and that will be that.” It wasn’t that easy.
      I had to send in 30 strip roughs per month. So I started doing it. And the notes I got back, at first, were…less than encouraging.
      Among other criticisms, I kept hearing some version of “I don’t know who your main character is.” Which was fair. I didn’t know who she was either. Like all my characters, “Girl” was basically me, and I wasn’t even sure who I was at the time.
      I was in the final phase of settling into a new gender. I had spent the previous few years moving myself from male to female, in the process resolving a lifetime of tension with myself.
      And when you do that, you have to reinvent yourself. Who are you on the other side of that divide? It’s a particularly salient question for a writer. And it was one I discovered I had no answer for yet. I quite simply didn’t know what I wanted to say, anymore. Or how, or about what.
      And so I flailed my way through a year of development, trying various ideas. My protagonist acquired the name “Phoebe,” after I was advised that a strip called “Girl” would be impossible to google.
      But I was told that the work I was doing was not good enough to syndicate. And I had to concede that was right. I got scared I was going to blow the opportunity I’d been trying to get for so very long. And then one day, a unicorn showed up.
      At first, she was meant to be part of a one-off strip. The gag was that Phoebe is contemplating aloud whether an expectation is realistic…pan out, and we see she’s discussing this with a unicorn. Ha ha. But then the unicorn wouldn’t leave.
      I didn’t want her to leave, either. I saw immediately that the unicorn was exactly what the strip was missing. So I wrote her into some more strips. I named her Marigold Heavenly Nostrils, a name I got by typing my own name into an online unicorn name generator.       I knew quickly all the things she was. Vain, cheerfully arrogant, sometimes wise in a hoof-gazing sort of way. And when I made her Phoebe’s best friend, I understood who Phoebe was, too. Their relationship clicked, the strip launched, and now it’s in a lot of newspapers, and the two book collections have been successful. And that’s how I made “Phoebe and Her Unicorn.”
      But Marigold didn’t just show me who Phoebe was. Marigold and Phoebe together helped me find who I was, as a writer and as a woman.
      I’m the lady who makes the unicorns. And I have the best job in the entire world.

Dana's workspace.

Wednesday, November 18, 2015

It's beginning to look a lot like...

CHRISTMAS! Edinburgh is a huge tourist destination when it comes to Christmas and Hogmany (New Years), so they start early and go big. Happily, because we ended up living on the far side of downtown from the University, I get to walk through the festive decorations nearly every day. And I get to see them in their best light, because yes, the sun sets by 4:30 now - it is officially winter. But Edinburgh makes up for it by lighting the town with over-the-top LIGHTS!
     Remember the flags which used to hang above Rose Street? They've been replaced by strings of blue lights. I walk along, behind tourists who stare up with smiles at how beautiful it all is. Heck, I'm doing it too - while plugged in happily to jazz or holiday music on my iPod.
And right in the heart of it is the most stunning Christmas staging of all - The Dome restaurant. On the Rose Street side, they set up their massive Christmas tree.
On the George Street side, they wrapped the pillars with garlands of greenery, ribbons and light.
Inside, the lights are even more spectacular. Truly, I don't usually go in for that sort of thing, and yet, it took my breath away.
There isn't an inch in this elegant old building (built in the late 1700s) that hasn't been adorned in some luscious, luxurious, spectacular way.
We stopped in for drinks at the bar and to gawk, but we have to return for dinner - soon! Because if this place doesn't get you in the holiday spirit, nothing will!

Tuesday, November 17, 2015

Coloring Page Tuesday - Puss in Boots

     More like two kittens in MY new boots! Winter has hit Edinburgh and my old boots weren't cutting it any more. I'm so happy to have some nice new, DRY and WARM boots now!
     CLICK HERE for more coloring pages!
     CLICK HERE to sign up to receive alerts when a new coloring page is posted each week and... Please check out my books! Especially...
my debut novel, A BIRD ON WATER STREET - winner of six literary awards. Click the cover to learn more!
     When the birds return to Water Street, will anyone be left to hear them sing? A miner's strike allows green and growing things to return to the Red Hills, but that same strike may force residents to seek new homes and livelihoods elsewhere. Follow the story of Jack Hicks as he struggles to hold onto everything he loves most.
     I create my coloring pages for teachers, librarians, booksellers, and parents to enjoy for free with their children, but you can also purchase rights to an image for commercial use, please contact me. If you have questions about usage, please visit my Angel Policy page.

Monday, November 16, 2015

I am a STUDENT!!!

I was recently emailing with my Aunt and I kind of loved what I shared with her. I was exhausted at the time that I was writing and it caught the emotion of what I'm experiencing right now. For those of you who have asked for more about the experience of being here at school, I give you this...
Gads - I am a student! Stan thinks it’s so cute how I study with piles of books around me into the wee hours. I sit on the floor drawing sculptures at school. I try not to get ink or paint on my clothes by switching shoes and putting on grubbies in the studios. In other words, yes! I am a student! An overworked, way behind, frustrated, confused, working-my-butt-off STUDENT!!!! We had our mid-semester review about two weeks ago and it was a kick in the butt to experiment more, stretch myself more, push myself out of my comfort zone and basically get messy! It’s so much work, but OMG, I’m having FUN!!!

That said, in and around school, we’re going out to dinner with friends a good bit, still enjoying the heck out of this fabulous town. And we’re starting to hunker down for winter. The WIND is something here! Umbrellas don’t work when they’re inside out! I’m getting quite good at taking buses. But it’s still marvelous and the weather is mostly quite mild. The sun goes down at 4:30, but then the Christmas lights come on. This town is stunning!!! We really do love it here!
P.S. - Boris, a fellow MFA in Illustration is to my right. He's brilliant! Here we are discussing illustration with an Art Director from Italy.

Sunday, November 15, 2015

Steve Light's Creative Space

So there's a very cool new website called All the Wonders. It's where I found this great video of Steve Light in his workspace, talking about his craft. Click the image to watch at All the Wonders.

Saturday, November 14, 2015

Book Binding at the University of Edinburgh

Along the lines of sharing more of my learning experience here at the College of Art, I will share our book binding workshop, which began last Thursday. It is just for the MFA/MA in Illustration students, so there are just eight of us total. Jane Hyslop set up a wonderful workspace for us to share her obvious passion. Here were some of the examples she shared - all treasures that looked like normal books from the outside, until you opened them up and were surprised by all their clever tricks.
Here were the supplies: paper, awls, butter knives, bone knives, thread, needles, etc.
For all that I am passionate about books, I've never taken a book binding course. It was a blast! We first learned a simple method of sewing a signature (group of pages), then moved up to slightly trickier ways to work. This was my attempt at the Japanese Book Binding method. I used some nice sketch paper for the interior and heavyweight watercolor paper for the cover. I was pretty happy with it. In fact, I may paint a nice design on the front and give it to a friend as a Christmas present.
Then we moved up to a real, hardcover book design. Everybody got into it. We bought fun papers and experimented with different sizes, colors and textures. Cutting the paper down to size was a large part of the job. Here are Ailsa, Lily, and Narudee getting their projects ready. (Ailsa had done this before so was a little farther ahead than the rest of us.)
After the pages were folded and assembled, we learned how to sew several signatures together. Here are Catherine, Boris, and Jane.
     By the way, several countries are represented by my fellow classmates (2 aren't in the photos), but we have: England, Taiwan, Thailand, Chile, Scotland, France, and the US. It's part of what makes this experience so fun!
     I'll try to get a good photo of my work-in-progress for you. Meanwhile, most of us got our signatures together and the binding tape glued on. Next Thursday, we move on to the hard cover!

Update: Here is the final product - MY BOOK!
Okay - so it looks like a big black square - but it's so much more than that! Check out the inside, which is full of different kinds of papers on which to keep my ideas. I am so proud.

Thursday, November 12, 2015

THE LITTLE KIDS' TABLE - Interview between the author and illustrator

A Conversation with Mary Ann McCabe Riehle and Mary Reaves Uhles, creators of The Little Kids' Table

      THE LITTLE KIDS' TABLE, published in September from Sleeping Bear Press, follows a group of cousins visiting their grandmother's house for a family dinner. From peas in the milk to a Labradoodle in the middle of the table, chaos reigns and manners are nowhere to be found. Without a doubt, THE LITTLE KIDS' TABLE is where all the fun happens.

      MU: THE LITTLE KIDS' TABLE feels like it comes from some real life inspiration... what's your own best little kid's table memory? And was there a real life Daisy?

     MAR: Well, there was not a real life Daisy, but there is a real life Uncle Fred! His character in the book and willingness to sit with the little kids’ or interact with them and perhaps even encourage some of the antics is based in real life. That’s the original inspiration for the book. Oh, and there is not a real life Aunt Nancy, at least in our family, but it does rhyme with “fancy” so she’s in!
     Now back to your question about the dog...The dog, Daisy, is sort of a combination of Fred’s dog, Gracie, and our dog, Bisbee. Both real dogs were rescues and mixed breeds or “mutts” as some might call them but I purposely decided to make Daisy a Labradoodle because I thought the reader would find it a fun word to say. I thought Daisy would be a dog likely to be loved even after causing all of the upset at the dinner tables...just like Gracie who was very energetic as a young pup and often ran in and under the fast that it could startle you and cause you to spill your food or drink. Bisbee just loved people and wanted to be wherever they gathered.
     As far as other real life inspiration, as my dedication mentions, my daughters, nieces and nephews were the best resources. One of the things they shared with me is the part in the book about never wanting to leave your seat at the little kids’ table because you never knew what might happen to your plate of food. Nothing ever got totally out of hand but there was a lot of silly stuff going on at their table! Even today, though many of them are young adults, they still enjoy sitting together.
      Did you have people you know in mind when you illustrated the characters? Did you give the characters in the book names?

      MU: I love that story about Uncle Fred, it seems like I had the exact same vision of Uncle Fred without even knowing it... I just knew he would put a spoon on his nose. What a great question about whether I gave them names... I did, sort of. I named them like my kids name their stuffed animals (Cat, Pink Dog): The boy who is the narrator throughout I thought of as MC, as in Main Character. His brother was Little Brother and the twins became Glasses and Ponytail. About 3 months into my process the boy cousin was added. Because I had created items to “accompany” each kid throughout the book – the robot, the ketchup bottle - this new kid had to have something too. So I gave him the monkey bear and his name became Monkeybear. As for people I had in mind.... I don't know that I had actual people in mind but I did create backstories for all of them that I sent to the art director with my initial sketches. I wanted them each to have individual personalities that I could refer to when making choices about expression. For example if Aunt Nancy is more straight-laced than Grandma Mable then she's going to be justifiably more outraged with the antics from the kids. And I wanted to hint at Uncle Fred's “real self” with his own obvious dismay at the broccoli casserole. Now what's interesting is that my in-laws DO have a poodle named Daisy. She's not a big dog like Daisy in the book but she does have a wild tail that is capable of knocking over stuff if it were attached to a bigger dog. That Daisy is white so I always imagined literary Daisy as a white dog. Some readers may know that in publishing the story is written and edited a long time (sometimes years) before the illustrator takes over. Seems like the first copy I saw of the manuscript had a 2013 date on it!
     Can you tell us a little about your writing journey for THE LITTLE KIDS' TABLE?

      MAR: It has been such a long journey some of those little kids that inspired the book are now grown-ups! The first line of the book was in my mind for many years but I just never took the time to put it on paper and take it to the next line or step in the process. Let that be a lesson to those hoping to get published have to write it down in order to have it become a book! When I finally did turn in a manuscript it took several months before I heard that Sleeping Bear Press wanted to publish it and then about six months before I saw the first sketches. Even as an author, I find it difficult to put into words how excited I was to see your sketches. I was so impressed and that’s when the possibility of the book began to seem real to me. That was in September of 2014 and our book was officially released September of 2015. What a difference a year makes!!!

      MU: Very true about what a difference a year makes! As is usual in publishing, we had no contact while I was working on the illustrations. Any contact would have been through our editors and art directors at Sleeping Bear. Did you see sketches or illos in progress? When did you get to see the full finished thing?

      MAR: The lack of contact between us on this project may surprise some folks. I am still in awe of how you were able to capture in pictures what I had pictured in my mind when writing. As an author I would never tell an illustrator what to draw or expect them to tell me what to write. I think that’s a sign of mutual respect. I trust your talents. The editors are able to work with us on specific word choices or sketch ideas for illustration. I’ll gladly leave that to them. I was happy with how you were able to illustrate some of the written work that had to be edited for word count. My original manuscript was about three times longer than the final draft. For example, I had written descriptions of the table settings but it was all made obvious in the illustrations. A verse about one of the cousins helping Daisy escape by unlocking the doggie gate was cut from an original draft but still remains part of the plot through illustration. I saw the final, ready for bookshelf copy of THE LITTLE KIDS' TABLE when it was delivered to my front door at the end of August. The UPS man must have wondered what he’d just dropped off since I reacted with such unbridled glee when I realized what it was.

      MU: I have to say hearing that makes me so happy.... while I was proud of the characters, and to me they were “my family” for a year, in the back of my mind... usually late at night ... I would worry “I sure hope the writer likes these guys.” For the readers' info, I first saw the manuscript on March 20, 2014 and my deadline was March 1st of 2015 so I lived with the family for a 345 days. I worked on bringing them to life almost every day during that time. I actually sent the final files to Sleeping Bear on February 28th and I remember being sad that I wouldn't have them on my drawing table anymore.Do you have a favorite spread from the finished book?

      MAR: I really do love them all but I suppose if I had to pick one it would be the last page. That’s where the antics are at full tilt but kids and grown-ups are all in it together. Then again, I love the very first page where all is calm. The love shown from Grandpa’s smile and greeting at the door to the hugs from Grandma are just priceless. That’s what it’s really all about, from page one to the end of the may get a bit chaotic when family gathers together but it’s the being together that matters most.Was there anything that got "edited" or changed from your illustrations that you found difficult to leave out of the book?

      MU: Nothing huge but initially Grandpa had a Hawaiian shirt! My first instructions from the art director were to not make this an obvious holiday, like Christmas. So I went waaay overboard on not being Christmas and made it a summer party. You should have seen my first sketches returned - every page had the red editor's pen on it! But that was because they actually did want the family to be in winter attire since the book was coming out during the fall season. I went back and gave them a wardrobe change but that meant losing Grandpa's shirt which I was a little sad about. Maybe this family needs a new book where they go on a summer vacation so I can still do that shirt!

      MAR: I love the variations on the teddy bear's expressions...I still see new things in the illustrations each time I look at the book. Are there any other subtle or 'hidden" things we can look for?

      MU: oooh that's a great question and I have a story that goes with the earlier question about things being left out: Like I said all the kids have a toy or item that follows them through the story, I referred to it as their 'talisman'. Little Brother has one too but his may not be as obvious. His was Daisy herself. Like you mentioned, an earlier draft had a child letting Daisy loose. Before the addition of the boy cousin I'd planned for that child to be Little Brother... he let Daisy loose to “get back at” his twin cousins for ganging up on him! Some earlier sketches had Little Brother in the background looking for Daisy and it was clearly him opening the gate. When that changed, I left Little Brother being Daisy's biggest fan but it's more subtle.... he has a dog on his sweater and they are always next to each other in every spread, usually with Little Brother slipping Daisy some casserole.
     What’s next on your writing calendar? Any other exciting projects you can share with us?
      MAR: Nothing specific right now... but I do have a few ideas for potential children’s books floating around in my head... remind me that unless I write them down, that’s where they will remain. The motivation is there though, due in large part to the great working and creative experience I had with you and the team at Sleeping Bear Press with THE LITTLE KIDS’ TABLE. Besides illustrating books, how else do you use your artistic talents?

      MU: Aww thanks, it has been a great team... and I'm honored to be part of it! Hmmm other artistic endeavors... illustrating fills up most of my creative cup but lately I've been trying my hand at writing. Actually I used to want to be a writer in junior high before I ever considered being an illustrator. But I never wrote anything down, I just drew pictures of the characters. So 20 years later I'm scribbling out a few ideas. I agree with what you said above - it can't ever be a book unless you write it down. This has been such a fun conversation! But since it's a book in which food is a pretty central character, we can't sign off without talking about it. Can you share your favorite recipe to serve at your little kids' table?

      MAR: It’s a very simple one called “Ants on a Log”. Just take celery that’s been rinsed and dried, cut it into 3-4 inch lengths, fill with peanut butter or cream cheese and add raisins on top. Though I haven’t figured out how to make broccoli casserole appeal to young diners, I find that foods presented creatively will sometimes appeal to even the pickiest eaters. A smiley face made out of blueberries served on pancakes or toast is always more fun. Sandwiches cut in half diagonally then turned point to point make a beautiful butterfly shape. And I really enjoy serving mini versions of foods like slider sized sandwiches, pizza bites, mini muffins or cupcakes. Wow, that answer just made me very hungry!
      What's your favorite meal? Is there anything you didn't like to eat as a child that you like to eat now?

      MU: Oh my goodness, I'm coming to your house to eat... that answer made me hungry too;) I was definitely more cautious as a kid than I am now with food. I remember my mom used to make her own bread and butter pickles that my dad raved about but I never could stomach trying one. Bread.... butter... and a pickle? That's just wrong. But now I LOVE them, especially on my husband's grilled hamburgers, which is one of my favorite meals these days. I'm also a big fan of fried chicken, mac and cheese and mashed potatoes...all of which showed up on my illustrated kids' plates.... but I never have learned to love broccoli casserole.

About the creators:

      As an educator Mary Ann McCabe Riehle has encouraged young students and adults to follow their dreams and tell their stories. In both classroom and conference settings she has shared her experiences as an author and enjoys helping writers of all ages. Her other books include A IS FOR AIRPLANE: AN AVIATION ALPHABET; M IS FOR MOM: A CHILD’S ALPHABET; B IS FOR BLUEGRASS: A KENTUCKY ALPHABET and M IS FOR MOUNTAIN STATE: A WEST VIRGINIA ALPHABET.

      Mary Reaves Uhles has also illustrated KOOKY CRUMBS by J. Patrick Lewis (Kane Miller 2016); and BEYOND THE GRAVE by Dottie Enderle (ABDO Magic Wagon Press 2013). Mary has twice been awarded the Grand Prize for Illustration from the SCBWI Midsouth Conference and her piece, EAT was a finalist in the 2014 SCBWI Bologna Book Fair Gallery. Mary lives with her family in Nashville, Tennessee.

Wednesday, November 11, 2015

Auld Reekie

That's the nickname for Edinburgh. According to Wikipedia it's because...
when buildings were heated by coal fires, chimneys would spew thick columns of smoke into the air. This created a haze over the city when viewed from a distance.
I imagine it didn't smell too good, hence the nickname.
     These days Edinburgh still has a distinct smell, but it's not of coal smoke. Most days Edinburgh smells like yeast from the distilleries that work in and around the city. It's a bready smell, like you could chew on the air, and yet there's a slight sourmashness to it. It's hard to explain, but it's something that has definitely become a familiar sign of our new home. I like it.
     On another note, I stumbled across an interesting art project commissioned during WW2 to keep artist's busy. It was called Recording Scotland. Artists set out all over the country to paint and record images of day to day life. My favorite is this one of our very street - Broughton Market by Anna Dixon. Our building was built in 2008, so isn't in this image from about 1920-1942. But that building facade in the upper left is the view out our dining room window, so I know exactly where this is. How cool is that?


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