-->

Friday, October 24, 2014

Friday Linky List - October 24, 2014

From The Boston Globe via PW: Is Jeff Bezos really the bad guy?

Kristi Holl's Writer's First Aid, via Cynsations: A Writing Retreat Redefined.

At Bustle (via PW): 11 of the Most Chilling Book Covers Ever Published (several are children's books)

At ABC News via PW: 'Reading Rainbow' Host Debuts New Children's Book and Announces the Show's Online Return

The Guardian Children's Books (via PW): Children's Illustrators' Doodles: Watch Them in Action! (And send in your own!) - I might have to do this.

The History of Air Puppets (via BoingBoing)!!! Gads, I love those things. I can stare at them forever.

From PW's ShelfTalker: Kids Say the Darndest Things - so cute!

From The Guardian via PW: Frank Cottrell Boyce: schools are destroying the power of stories

From ABC News via PW: Jimmy Fallon's Picture Book Inspired by Daughter - I like to think he'll have a better chance than most at doing a good job with a picture book - we'll see.

At Rolling Stone magazine: Why Robbie Robertson's Son Wrote a Kids' Book About His Dad - illustrated by fellow PBAA member Adam Gustavson

Thursday, October 23, 2014

PUMPKIN TIME by Erzsi Deak and Doug Cushman - GIVEAWAY!


Two amazing talents have teamed up to create THE perfect harvest time book for this coming fall - Erzsi Deak (of Hen & Ink Literary Studio) and Doug Cushman (writer and/or illustrator of over 125 picture books!). The book is called PUMPKIN TIME! . It’s about Evy, who is a consummate gardener and very good pie maker! Erzsi and Doug both stopped by to talk about their book… and France, where they both live. (Paint me green with envy!)

Q. Erzsi - Congratulations on Pumpkin Time! This isn’t your first book, but it is your first picture book (yes?). How did it come to be?
A.
It was three years after PERIOD PIECES: STORIES FOR GIRLS came out when I met the wonderful Markus Zusak, author of THE BOOK THIEF among other titles, and his talk and the discussions with other attendees. Doug Cushman was there along with Ann Jacobus -- whose book, ROMANCING THE DARK IN THE CITY OF LIGHT comes out from SMP in 2015 -- and Bridget Strevens-Marzo, whose book, TIZ & OTT’S BIG DRAW comes out from Tate Publishing in 2015! Zusak’s talk was a reboot for me creatively. I started dreaming up a new book on a napkin and hotel stationery (like the best authors in recent bestselling history). This time with words and pictures. It’s actual debut, in a slightly different form, was performed during the very first Dueling Illustrators event at the SCBWI booth at the Bologna Book Fair between Doug, Bridget and Paul O. Zelinsky!

Q. Erzsi - Were you and Doug friends before PUMPKIN TIME!? Was it a collaboration?
A.
Doug and I have been friends ever since Peter Sis introduced us in Paris. He knew Peter who knew me through Barbara McClintock who knew me because of the SCBWI. Doug moved to France over ten years ago, but for the first five we only saw each other at exotic SCBWI venues (Madrid, Munich, Bologna). Since then, he has designed the Bologna logo, critiqued picture book projects at the Bologna stand and created Pencil Boy (an irregular feature on the Here, There & Everywhere page). Doug graciously listened to various versions of the text and then illustrated sample art. Last year in Bologna, over lunch, Steve Geck told me that what he really wanted was a pumpkin book. I said, "Shoot, Steve," (not my exact words, mind you), "I have a pumpkin book." And the rest, as they say is history. (For the ongoing inside scoop on how we work, I invite everyone to check out CHICKEN SCRATCHES, the regular comic Doug creates for http://henandink.com)

Q. Erzsi - You run the Literary Studio Hen & Ink. Is being located in Paris ever a challenge for you? (Personally, I’d love it!) And does being an agent inform your writing?
A.
I actually work out of the South of France in a field (last year it was... pumpkins, pumpkins everywhere!). With good internet, phone and postal/delivery service; a nearby airport and a high-speed train that can whip me off to New York, San Francisco, London, Paris, Bologna, Frankfurt and even further like Seoul this year, it's pure pleasure. Okay, the lightening storms kind of kill the internet fun, but other than that, we're good! For Hen&ink and Pumpkin Time!, I'm excited to be heading to Portland, OR, San Francisco, San Diego, Austin (for the Texas Book Festival -- yay!) and New York.
      As far as if being an agent informs my writing, I suppose a bit; I do more editing and letter and email writing than manuscript writing of my own, however. It's probably more correct to say that my writing informs my agenting.

Q. Erzsi - What was your writing process for Pumpkin Time!? Do you find the picture book format challenging? (CLICK HERE to read more about Erzsi's writing process.)
A.
I love (love!) picture books and the interplay of words and pictures. I wrote poetry from the age I could hold a stick in the sand; when I worked in a bookstore in Fairbanks, AK, I spent all my money on starting my children's book collection (I still have those picture books). In art school, I played a lot with text and looked at possibly becoming an art director so I could continue to play with words and pictures. All-this-is-to say, I find the picture book format a fabulous format to work in -- especially if one is visual. The perfect word. The perfect pause. The perfect picture. I like rhythm and repeat (What was Evy doing? for example!); call-and-response; gorgeous writing and funny writing. Succinct writing. I'm wary of one-note joke books and seek out richness in the story as well as the writing and illustrating. So, not challenging -- invigorating and exciting!

Q. Doug - I love all the energetic animals in PUMPKIN TIME! How do you come up with such fun characters?
A.
I love drawing animals (mostly they are more human and real than, well, humans). And of course Erzsi’s energetic text and humor was perfect for creating some wild animal characters. It wasn’t a chore at all, in some ways I had to hold back and not get too crazy for fear of straying too far away from the original intent of the story.

Q. Doug - What is your illustration method?
A.
I try to get the main character nailed down at the get-go, in this case it was Evy and Turkey. I saw Turkey as Evy’s counterpoint, he saw and reacted to everything she missed. Turkey is the flip side of the same coin, her “animal spirit”, if I may. I gave them both the same boots and hat to accentuate that idea. Once I have the main characters in my head I start to sketch each page and lay out the action and design. The ideal is to make each spread flow into the next one so the book works as a complete unit, like a little film.

Q. Doug - You’re in Paris now too. Does that affect your career or your approach to illustration in any way?
A.
Paris and Europe are very liberating. There are literally centuries of art all around—even up the street!— that I can draw from (no pun intended). My approach to books hasn’t changed that much but there is an atmosphere here where I feel I can push my art and ideas a little further to the edge. It doesn’t always work for the American market but it’s easier to pull back if I need to than try and push forward. I’d like to see the American market take a few more chances. Children can handle it. We could make some great books, I think.

Q. Doug - You’ve created over 125 picture books - wowsa! Do you ever slow down?
A.
It’s closer to 130 now. It doesn’t feel like work at all. I get up every morning and draw pictures. That’s all I do. But each book is different and has it’s own problems. In one sense, I’m a beginner with each book. Every project is a blank sheet, literally, where I have to create something logical, seamless and fun. The challenge is to do better than the last book. It doesn’t always work. But I keep trying.

Q. Doug - Had to add that I am now teaching with Ruth Sanderson at Hollins University in the summers in their MFA in Writing and Illustrating Children's Books program. She says ‘hi’!
A.
I knew Ruth way back in art school. She was a star even then. I was thrilled when she came to visit earlier this year. We had a grand time sketching outdoors…and eating snails. Ask her about THAT!

Q. Erzsi and Doug - Are you doing anything special to celebrate PUMPKIN TIME!?
A.

ED-I think we should break out the pumpkin pie, don't you?!
DC-Sounds good to me!
ED-In celebration, we are taking the pumpkin patch on-the-road! We've just about nailed down the schedule. Doug starts next week at The Hickory Stick Bookstore in Washington, CT, and will go to Boston and Bank Street in NYC as well. I start at the Book Been Bookstore in Portland, OR, on October 15th and then go to the Yellow Book Road and a school visit on the 21st in San Diego, drop into NCIBA in San Francisco and possibly a school visit and then it's Austin for the Festival and Books of Wonder in NYC. Details will be on pumpkin-time.com. Hope many of you can meet us on this pumpkin-infused journey!

Q. Erzsi and Doug - Do folks celebrate Halloween and harvest time in France like they do in the US?
A.

ED- Everyone loves pumpkins here -- especially pumpkin soup, so Doug may be illustrating a new spread for the rest of the world that doesn't "do" pumpkin pie! :) The merchants in Paris have tried to get Halloween going, but with All Saint's Day observed the day after Halloween, it's a tougher call to get everyone out in ghost and witch costumes for Halloween. But the harvest, definitely the harvest! Around here, in the SE of France, the hay has been baled and the pumpkins are lined up in the fields.
DC-All true. Halloween is practically unknown in France. But as Erzsi said, the harvest, especially the grape harvest, is big. I just returned from the grape harvest in Burgundy. Obviously France has no Thanksgiving holiday, which is huge in America, and in many ways symbolizes the great Harvest in the States.

Q. Erzsi and Doug - Do you think you’ll do another book together?
A.
ED & DC-Yes!!
DC- We’ve known each other for a long time and have planned many projects over the years. We hope to do many more books together...and not only pumpkin-related (though food is one of my favorite subjects to write, talk and paint).

Q. Thanks so much to both of you for stopping by! I wish you much continued success, and with any luck, I’ll be able to say that to you in person, in France, one of these days!!!
A. ED & DC- Great! The first glass of Burgundy is on us!
Me: Oh, you have SO got a deal!

CLICK HERE to download a free PUMPKIN TIME! Activity kit! .

GIVEAWAY!
Sourcebooks has agreed to giveaway a free copy of PUMPKIN TIME to one of my lucky followers. Must live in the US/Canada to win - enter below:

Wednesday, October 22, 2014

Time again for LULA'S BREW!

Teachers, are you looking for a good Halloween book to share with your young gargoyles? Might I suggest my picture book, LULA'S BREW to get in the spirit?
     Lula's Aunties want her to be a witch like them. But Lula prefers to study cookbooks rather than spellbooks (and hates to fly on a broom). Lula wants to be a famous chef. In desperation, the Aunties insist she try to make one last potion. Lula secretly adds her cooking flair and in true witchy fashion creates a brew that bewitches the entire town, and her Aunties too!
     LULA'S BREW is available in hardcover from your local bookseller (they might have to order it, so don't wait!), and also on the iPhone, iTouch, iPad, Nook Color, Kindle, and as a .pdf. Visit the activity page for all options, to download free activities (and a recipe for the BREW), and to see some cool videos. Bwahahaha!

Tuesday, October 21, 2014

Coloring Page Tuesday - BAT!

     Scree! Scree! I think bats are so cool - don't you? And this one is all dressed up for Halloween. (Bats don't have to wear costumes - just scarves to keep warm!)
     CLICK HERE for more Halloween coloring pages!! And be sure to share your creations in my gallery so I can put them in my upcoming newsletters! (Cards, kids art, and crafts are welcome!)
     Sign up to receive alerts when a new coloring page is posted each week and... Please check out my books! Especially...


     Click the cover to learn about my Halloween picture book - Lula's Brew. She's a witch who would rather be a famous chef!






Monday, October 20, 2014

Auburn Writers Conference Wrap-up!

I'm exhausted but smiling after spending three days at the Auburn Writers Conference hosted by the amazing Chantel Acevedo and her supportive crew.
     Thursday morning, I drove over early from Atlanta to spend time with two classes at Loachapoka Middle School (7th and 8th graders).
They made some sweet signs to welcome me:

The first class had received a group set of copies of A BIRD ON WATER STREET from Auburn University's University Outreach program - how cool! And their English teacher (I'm sorry, I forgot her name) had them all fired up for my visit - fun!



     Here I am with LaDerrial, one of the students who wants to be a writer herself someday:

     The teachers were so kind to present me with a certificate of appreciation - how nice! Having teacher support means SO much!

Here I am with the English teacher and the Principal, Mrs. Kitt, who I saw at the writers conference later.


Friday I awoke early and walked the Auburn campus - so pretty. Then Mark Wilson, my schools escort and PhD Coordinator of community and civic engagement in the College of Liberal Arts at Auburn University, picked me up to head to Duke Middle School. I met with two classes there as well.



Mark's son was in one of them - HI! The kids asked fantastic questions and I wish I could have spent more time with them. Here I am with another budding writer.

     Thanks to Mrs. Laura Hardy, the Librarian for making me feel so welcome.

And thanks to Michelle Hopf, their teacher who was actually at the conference (we caught up later after years of talking online). She has some great students and they obviously love her! Here I am with Michelle and Angela Jordan (we talked Appalachia and could have gone on for hours if everybody wasn't so tired from the great weekend!).

     Saturday I once again walked around campus - what a nice way to start the day. Then I got ready for my workshop, "What to Do When the Story Finds You," this time with adults! I didn't get pictures this time, but several people thanked me afterwards saying how much they got out of my workshop. LOVE to hear that!
     All said, it was a fabulous time. I caught up with writer friends and met several new ones. I also got to reconnect with the kind folks in Alabama. Along with conferences and festivals, I do quite a few school visits over there and I'm sure they have a lot to do with that. So, THANK YOU to all for a lovely time! I hope I can return soon!

Sunday, October 19, 2014

Sam and Dave - Klassen and Barnett on TV

Jon Klassen and Mac Barnett were recently on The Morning Blend to talk about their new book together! Click the image to go watch on YouTube:

Saturday, October 18, 2014

Irene Latham's DEAR WANDERING WILDEBEEST - Interview and Giveaway!

I love poets and am lucky to have a few friends who are truly passionate about it. One is Irene Latham and I'm thrilled to help her celebrate her new book of poetry here today as she interviews the illustrator of DEAR WANDERING WILDEBEESTE, Anna Wadham.

     When I was a child writing my first books, I always illustrated them as well. To this day, I am a doodler, and a huge appreciator of art – not only was my first novel LEAVING GEE'S BEND inspired by art, but I have written many poems inspired by works of art that hang at the National Museum of Women in the Arts (Washington, DC). So, when my editor at Millbrook Press contacted me to let me know they had selected Anna Wadham to illustrate DEAR WANDERING WILDEBEEST, I was on her website within seconds.
     And I was thrilled! I love Anna's work, and I'm so honored to share a book with her. Anna will also be illustrating another book of mine – SUMMER IN ANTARCTICA, coming from Millbrook Press in 2016. From the grasslands to an ice desert... Anna is versatile, too!
     While Anna and I have never met – she makes her home in Norwich, England – we do keep in touch, and she was kind enough to answer a few questions for me to share with all of you. Thanks, Anna! And thanks, Elizabeth, for inviting us to your blog!

IL: What draws you to a manuscript? What makes you say yes?
AW: To begin with I try to visualize how the finished book could look in my mind (roughly!) When considering a project it's important to me that my painting style "matches" the writing. With our new Antarctica book project on the horizon I'm imagining lots of painterly effects and stripy icebergs.
      When I read the manuscript for WILDEBEEST, I knew instantly it was a yes! I've really loved illustrating for poetry- it's not as repetitive as a traditional picture book but still has a sense of place and continuity, starting with morning- through to night in the African grasslands.

IL: Tell us about a challenge you encountered during your work on WILDEBEEST.
AW: “Triptych for a Thirsty Giraffe” was the most challenging, a giraffes legs whilst bending down are very hard to fit on the page- especially when considering space for text as well!
     Also, “Lioness, After the Hunt.” I wanted to make her look ready to pounce- even when asleep. I was also thinking of my cat Charlie. She always hears me enter the room when she's sleeping and has a sneaky look at me! I'm not sure it's totally realistic (or possible?) for a cat to have one eye open, but think it still works for the poem. (Click the image to see a larger version in a new window.)

IL: Which spread are you most proud of?
AW: My favourite at the moment is “Tree For All.” I also like “Says Nightjar to the Stars.” I like the little details and surprises in these pages for the reader to spot- little snails, anteaters and insects! “Oxpecker Cleaning Service” feels quite special to me, it was my first painting for the book and set the scene for others to follow.
(Click the image to see a larger version in a new window.)

Thank you, Anna! That lioness's one eye open is one of my favorite parts of the book. And “Says Nightjar to the Stars” is so gorgeous and resonates so deeply with me that I begged Anna to let me use it as a header for my email newsletter! So thrilled she said yes. :) Here's to many more books illustrated by Anna!

Thanks again, Elizabeth, for inviting us to your blog today. Your generous spirit shines! xo

Irene Latham was inspired to write DEAR WANDERING WILDEBEEST after viewing images from wildlife photographer Greg du Toit, who submerged himself in a Kenyan water hole in order to best capture the animals drinking. In response, she submerged herself in research and waited for these poems to arrive. She is also the author of three volumes of poetry for adults and two award-winning novels for children: LEAVING GEE'S BEND and DON'T FEED THE BOY. www.irenelatham.com

Anna Wadham is the illustrator of several picture books and has an MA in children's book illustration. She currently lives in Norwich, England, where she enjoys the city cafes and the rooftop views of trees, gardens, and chimney pots from her flat. Inspiration is drawn from many things - memory, great painters, pattern, and a bit of imagination. She loves to paint animals and create colorful landscapes for them to inhabit. www.annawadham.com Thanks, Irene


GIVEAWAY!
Irene is generously offering a signed copy of DEAR WANDERING WILDEBEEST to one of my lucky followers. Must live in the US/Canada to win - enter below:

Friday, October 17, 2014

Friday Linky List - October 17, 2014

From BuzzFeed via Shelf Awareness: 19 Magical Bookshops Every Book Lover Must Visit. OMG!

The Da Vinci Initiative - Online Skill-Based Art Classes - Kickstarter project. This is so incredibly important and yet doesn't exist in most if not all schools. Art ties together all the other course studies, so why it's deemed less important is beyond me.

From PW: Hachette Launches Author & Agent Portal: "The portal will provide self-service, updated information for agents and authors, including confidential sales data, for all titles published by HBG." What a GREAT idea!

Little Known Punctuation Marks: Infographic. Why can't I find these on my keyboard, hmmmm?

At lifehack: 25 Common Words That You've Got Wrong

At PW: The National Book Award Finalists have been named! I'm thrilled to see Deborah Wiles' REVOLUTION on there!

At The New Yorker (via PW): S.E. Hinton and the Y.A. Debate

Diversity in YA is hosting a Middle Grade Month Giveaway!

At School Library Journal, New York Librarian Betsy Bird of Fuse #8 has stepped up her game! She's now doing a video program!

Thursday, October 16, 2014

ISSUN BOSHI by Raphael Urwiller and Mayumi Otero - Interview and Giveaway!

Little Gestalten (a German publisher) is bringing some very cool children's books to the US for us to enjoy. The first I'll share with you is ISSUN BOSHI written and illustrated (together) by Raphael Urwiller and Mayumi Otero. English is not their first language (they are from France), so I'm thrilled to have them both here today - what a treat!

Q. It seems every culture has a “Tom Thumb” sort of character. How did you become familiar with the story of ISSUN BOSHI?
A.
Issun Boshi is a Tom Thumb, but in its poetic own way, a naïve little boy walking through the wilderness with a rice bowl on its head.
      In fact Mayumi, who is one half of Icinori, is half Japanese, and it was one of her most beloved story that her mother was telling her when she was a child. The other part of Icinori, Raphael Urwiller, is fond of traditionnal tales, and we discovered that Issun Boshi was never well adapted in France as a children book.

      Then we made it, for all this good reasons !

Q. I know older tales often don’t fit well in modern sensibilities. How much adaptation did you have to do to make the story work for new readers?
A.
A children's book has its own constraints, the number of pages, size, color, printing technique, and each of these constraints are a creative challenge. The original story comes in many forms, some versions are like the Grail legend, never finding the end.

      Raphael cut the text and rewrote it in a very modern rhythm paced modern book of 32 pages. This text has been designed to be read aloud with parents, but also to be read by the child alone, with simple words and very understandable images to help reading. The original story contains quite violent actions, Issun Boshi attacks monsters, we decided to keep these moments but by approaching them in a thoughtful way, working the figures and innuendo.

      We were very surprised at the extremely positive way children greet the story we made. In fact we did this book for the two children we were.

Q. I adore the art style - it’s both retro and so fresh - what is the method?
A.
We are engravers, screenprinters and strange book publishers (unique popup books and more) , we made this book using our printing techniques (screen printing is an ancient technique invented by the Chinese to work very accurate and efficient color), which we adapted to the constraints of traditional offset printing, allowing this book to benefit from these very beautiful colors. (Click the image to see a larger version.)

Q. Were there specific challenges to making this style work for ISSUN BOSHI?
A.
We admire many popular old images and ephemera, as well as the current underground art, the two share a wonderful and colorful graphics generosity power. We much inspired by old Japanese prints that contemporary artists. We try to follow the course huge illustrators, Sendak, Ungerer, Gustave Doré, Topor, etc. The challenge was to find the balance between all of this influences and our own wills!

Q. The story was originally published in France. How did it make it to the US?
A.
Gestalten – a great book publisher for designers and artists – made us the great possibility of being published in its first collection of books for children, translating the book in german and english! The book was also published in many countries (spanish, italian, chinese, dutsch etc.) and had a price in Bologna, the biggest children books festival. It's great, we don't realize the meaning of all of this but it's great!

Q. Neither of you live in the US. How is it to have a book launching in America and how have you celebrated the release of the book in your home towns?
A.
Yes, we opened a bottle of wine from Napa valley. For us, french peoples, it's a strong symbol!

GIVEAWAY!
Little Gestalten has generously agreed to send a free copy of ISSUN BOSHI to one of my lucky followers. Enter below!

Wednesday, October 15, 2014

Reading Rainbow Calendar Art - Go VOTE please!

I submitted an illustration for consideration for the Reading Rainbow calendar and voting is now open! (It closes Sunday.) I hope you'll check it out! You do have to be a Reading Rainbow backer to be able to vote, but try this link: CLICK HERE!

Auburn Writers Conference!

Thursday morning I head out to speak at the Auburn Writers Conference in Alabama and to speak at two schools. It's been several years since I last spoke at this event. Chantel Acevedo puts on a class act, so I'm really looking forward to it!
     Here's a peek at one of the classes I'll be visiting: Students at Loachapoka High School in Lee County, Alabama received a classroom set of A Bird on Water Street, courtesy of Auburn University’s Office of the Vice President of University Outreach and the Auburn Writers Conference. I can't wait! (Click the image to see a larger version.)

Tuesday, October 14, 2014

Coloring Page Tuesday - Vulture

     V is for Vulture! Halloween creepeth closer. It's time to pull out the pumpkins and creepy coloring pages! My favorite time of year!
     CLICK HERE for more Halloween coloring pages!! And be sure to share your creations in my gallery so I can put them in my upcoming newsletters! (Cards, kids art, and crafts are welcome!)
     Sign up to receive alerts when a new coloring page is posted each week and... Please check out my books! Especially...

my debut novel, A BIRD ON WATER STREET, coming out next week! Click the cover to learn more!
     When the birds return to Water Street, will anyone be left to hear them sing? A miner's strike allows green and growing things to return to the Red Hills, but that same strike may force residents to seek new homes and livelihoods elsewhere. Follow the story of Jack Hicks as he struggles to hold onto everything he loves most.
AWARDS
**A SIBA OKRA Pick!**
**A GOLD Mom's Choice Award Winner!**
**The 2014 National Book Festival Featured Title for Georgia!**
**eLit 2014 Gold Medal Winner in the Environmental/Ecology/Nature Category**

LinkWithin

Related Posts Plugin for WordPress, Blogger...