Michelle Knudsen's REVENGE OF THE EVIL LIBRARIAN

My good friend Michelle Knudsen is celebrating the release of the third book in her EVIL LIBRARIAN series, so I'm thrilled to have her here today to talk about it.
Curse of the Evil Librarian is the final book in my supernatural humor-horror-romance YA trilogy.
      If you haven’t read the first two books, here’s a little backstory: Cyn Rothschild is a normal high school junior who has her world turned upside down when her best friend, Annie, falls under the spell of an evil demon masquerading as the new school librarian, Mr. Gabriel. Cyn, who thought her biggest problems were going to be designing the set for the school musical (Sweeney Todd) and getting Ryan Halsey (who plays the lead) to notice her, suddenly has to save Annie and the entire high school from demons while still tech-directing the musical and handling her very serious crush. Luckily, Cyn discovers she has an unusual kind of demon-resistance that gives her a fighting chance. This special ability also draws the attention of other demons, however, and Cyn ends up making a deal with one of them that requires her to return to the demon world twice more when called upon in the future. Mr. Gabriel turns out to be a hard monster to kill, which is how he’s managed to keep coming back in each book to torment our heroes anew.
   
     This is the second trilogy I’ve written; the first was my Trelian fantasy saga. For both trilogies, I wrote the first book as a potential stand-alone, and then, after publication, decided to write two more. The great thing about sequels and series is getting to return to characters and worlds that you already know and love. The hard thing is finding ways to give readers more of what they liked the first time while still making the story fresh and exciting in new ways.

   
     For Curse, since I already knew the villain would again be the titular evil librarian (although he’s no longer technically a librarian by this point), I spent some time thinking about what aspects of the story could be different this time around. The first thing I decided was that I wanted it to largely take place in the demon world—both because I didn’t want to set it completely at the high school and hometown (I did that in book 1) and because I wanted to get to explore more of the demon world myself. A new location would be fun for me and hopefully fun for the reader, and Cyn and friends would have all new challenges to face while having to operate on the enemy’s home turf.
      I also decided that I wanted to explore new aspects of the character relationships. There are a lot of high emotions in this story, and plenty of tension between different people. And I wanted to give some of the secondary characters—especially Annie—a bit more time to shine. There’s another secondary character, one introduced in book 2, that I loved developing in this third book (and who surprised me a lot!), but I can’t say who it is without giving too much away.
      Finally, I wanted to bring the story to a satisfying close while still leaving some open questions about what might happen down the road. I’ve spent years with Cyn and the others now, getting to know them and caring about what happens to them, and it was important to me to leave them in a good place but not a perfect place ... life is rarely neat or easy, and I didn’t want to pretend that it would be in this story. Cyn especially has a lot of complications to figure out. But I feel good about how it all ended, and I hope my readers will too.
     The worst thing about trilogies is saying goodbye at the end of the third book. I’ll very much miss spending time with Cyn and Ryan and Peter and all the rest. I felt the same way at the end of The Mage of Trelian—after years of being inside characters’ heads, it’s really hard to let them go! But I like to imagine them living on without me, taking their continuing stories in directions of their own choosing. And in the meantime, I console myself with thoughts of all the new characters I’ll come to know in the next books.

Coloring Page Tuesday - Knitting Sheep

     It's that time of year when I make cards for all of my friends and students at Hollins University. A big activity here is knitting, and there are several faculty members who are absolute whizzes at it. This knitting sheep is for Delia.
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     I create my coloring pages to draw your attention to my books! For instance...
my latest picture book, Crow Not Crow - written by New York Times Best-selling author Jane Yolen and Adam Stemple.
     Kirkus calls it "a solid choice for introducing the hobby [birdwatching] to younger readers."
      Also, A Bird on Water Street is now available in Chinese!
      
     I create my coloring pages for teachers, librarians, booksellers, and parents to enjoy for free with their children, but you can also purchase rights to an image for commercial use, please contact me. If you have questions about usage, please visit my Angel Policy page.

Chateau Morisette

It's been four years since we visited Chateau Morisette, way up past Flloyd and onto the Blue Ridge Parkway. It seemed fitting Stan was here to join in once again! Actually, it ended up being a mix of students and faculty this time—MJ, me, Karen, Lisa, Kate, Sage, Carmel, Tina, (front) Ashley, and Amanda. (Stan is behind the camera.)
We had a lovely brunch/lunch.
I just loved the flowers on the table - look at all those subtle colors!
They came from the winery's garden... where they have herbs that we ran our hands all over turning us into walking perfumeries.
We wandered the grounds of the winery enjoying the views.
On the way back down the mountain back to Roanoke, we saw a fox, turkeys, and a ton of deer with their wee babies - so cute! And we stopped for more breathtaking views. See why they call it the Smokey Mountains? And isn't it any wonder why so many Scottish settlers ended up in Appalachia?
What a nice day out with friends!

Francelia Butler Conference at Hollins University

We are very lucky to have a world-renowned children's literature conference take place right here on the Hollins campus every summer. Even better, it's organized and run by the students. This year's theme was THE MONSTER WITHIN and I'm proud to say that one of my students, Monica, won the t-shirt design competition this year. (I'm wearing it in a photo below.) Actually, all of my students made a good showing. Akiko won the Illustrator Spotlight slot and gave a great talk about her picture book exploration into foods that wrap and how they're made around the world.
And my student Anna won the Ruth Sanderson Award! Meanwhile, this year's keynote was Dr. Amanda Firestone from The University of Tampa. She gave a great talk on the subject and tied it in with The Monster at the End of This Book. It and she were thoroughly enjoyable as you can tell by the photo I got of her.
I had to do a silly photo too.
Of course, the highlight of the conference is the handing over of The Margaret Wise Brown Prize for best children's literature text. This year's winner was KITTEN AND THE NIGHT WATCHMAN written by John Sullivan and illustrated by Taeeun Yoo.
Our new program director, Lisa Fraustino, awarded the prize.
Every year, I enjoy listening to the extremely well-done papers given by our students and guest speakers, while I draw my cards. After the conference, we have a banquet, which doubles as an end of semester faculty fall-apart party. (Here's my hubbie Stan and colleague Chip doing some damage.)
All said, it's a wonderful affair and a real treat every year at Hollins.

Singing at Hollins

One of the wonderful things about teaching at Hollins is the rich knowledge the our varied faculty brings to share - including songs. Every few years (mostly when Ellen Kushner is here) we gather to sing ballads, folk-tunes, gospels, protest songs, and Broadway musicals, in what I recognized as a right and proper Scottish Cèlidh (pronounced kay-lee). Ellen is a treasure trove of ancient ballads.
Tony Neuron is a treat as well with his deep baritone and knowledge of folk-songs that he sings with his great, booming voice. What a treat!
Students found out about our singing group and asked us to sing a song at the graduation ceremony. We've chosen the perfect song, but I can't share what it is yet - it's a secret!

Our annual outing to Nancy's House

Every year the illustration faculty from Hollins University goes to visit the former head of the Art program at Hollins, Nancy Dahlstrom. She's an amazing woman who doesn't let a little bit of age slow her down.
One of the treats of visiting Nancy's place is the incredible garden she keeps up.
Here's the view from her porch with her 'gourd tree'.
Her garden only hints at the land she keeps up. To see it all, we have to pile in the back of her gator (here's John, Ashley, and Rufus).
And head up the hill...
At the top of her property is an old outlook post that never got finished. She decided to grow gourds all over it.

Ashley, John, and Nancy were much braver than me and climbed up the thing as it wobbled and shook underneath them. Rufus would have gone too, but he just couldn't figure out the ladder. "Mommy!"
Inside Nancy's house, we set up a feast of fresh summer yummies, and explored her genie bottle of a house with all its creative nooks and crannies. Here's Nancy with my favorite painting of hers, which I swear, I will buy from her one day.
We usually hang out deep into the night, watching the stars without any light pollution (what a treat after living in a big city for four years!). And we all head back to Hollins a lot more relaxed. Thank you, Nancy!

Hollins: A Talk on Talking

If you've ever been to an academic conference, you've probably asked, 'Why don't they teach academics how to give talks?' Despite the brilliance of so many academic speakers, many don't know how to share their work with an audience well. With the Francelia Butler Conference coming, we decided to help remedy this problem by offering a talk on giving talks. As such, I was on a panel with colleagues and fellow faculty Karen Coats and Hillary Homzie.
I started the talk with points on what I learned from giving my TED Talk and discussing themes academics usually don't discuss. Hillary shared her history in theater and the warm-up techniques she learned. And Karen talked about how to choose which conferences to attend and why.
We all talked about connecting with the audience and the academic game (a.k.a. 'B.S. Bingo') for which you choose a secret word to slip into your talk to amuse the colleagues you traveled with. Our secret word (which became not a secret) was 'tesseract'. Q&A was extensive and beneficial. And now we get to enjoy watching our students put all that advice to work at the Francelia Butler Conference! How fun!

Friday Links List - 19 July 2019

From The New Yorker: Can Reading Make You Happier?

From Muddy Colors: Introducing a New Illustration Podcast!

From Book Riot: Authors Don’t Have Much Control Over Covers; Here’s Why

From Myth and Moor: The Stories We Need

From The Horn Book: "Refugees Welcome Here": The Horn Book Guide has children's booklists for all age ranges

Viny Disorder: a popular sticker and wall vinyl company

From CNN Business: Abigail Disney visited Disneyland undercover. She is 'livid' about what she saw

From Muddy Colors: Making Monsters

If you don't know about Hazel Terry's blog, you should! Check out Thread, Fashion and Costume - so FUN!

From PBS: American Masters - Ursula K. LeGuin

From The New York Times: Climate Change Is Scaring Kids. Here’s How to Talk to Them.

From Yale Climate Connection: 'How can I prepare my children for climate change?' Four types of skills will be essential in a warming world.

From NASA: Climate Kids

From Yale Climate Connection: Children's books about climate change How can one talk to children about climate change in a way that empowers them to act rather than paralyzes them with fear?

From SLJ: Promoting Teen Writers, a guest post by author Jennifer Nielsen

From SLJ's Fuse #8: Press Release Fun: Announcing the Winners of the Excellence in Graphic Literature Awards!

Also from SLJ's Fuse #8: The Black Mermaid Booklist

New to Me Blog: Design of the Picture Book

From The Atlantic: The Economist Who Would Fix the American Dream

From The Good News Network: Target is Now Selling Specially-Adapted Halloween Costumes for Children in Wheelchairs

From Muddy Colors: Thinking About Skin Tones, Chroma, and Munsell

From The Bookseller: Ealing Council to hand over seven libraries to volunteers

From Instagram #IllustratorSun (How Illustrators Draw the Sun)

MerBaby's Lullaby, illustrated by ME!

I haven't really given you the full walk-through of my latest picturebook, MERBABY'S LULLABY, written by Jane Yolen - so today's featured title is my own! (Published by Little Simon, and imprint of Simon & Schuster) Thank you for indulging me as I invite myself to be my own guest this week!
The project began in an unorthodox way... During my MFA in Illustration at the University of Edinburgh, I created a 'Style Bible' per Julia Patton's inspiration (read about that here). I took it with me when my husband and I went to visit Jane Yolen in St Andrews. (Read more about that here.) She flipped through my Style Bible saying, "There's a story here, and here, and here..." Stan and I went to walk around St Andrews and by the time we returned to Jane's home, she had written them all! (As she does!) My favorite was a story about a little mermaid. So I decided to take it on as one of my MFA projects and began working on it.



It looked great at my graduation show, but it was just a mock-up at that point.
Jane sent it to her agent and between her agent and my agent, they sold it to Simon and Schuster shortly after graduation. Woohoo!
     In that time, it went from being a picture book to a board book. Color proofs came in while I was teaching at Hollins last summer.

And the finished product came out this summer - woohoo!
     So, now I'll answer a few of the questions I ask my visiting authors and illustrators...
1) My media was pencil, digital, and watercolor. I drew very small, then scanned my sketches at a very high resolution to create the compositions in Photoshop.
I like the chunkiness and texture that happens to a line when it gets blown up - although scanning it at a high resolution is key, because I don't want the line to degrade, just show its texture.

2) My favorite part of being an illustrator is having the chance to stretch myself, experiment, and play with new approaches. Not everything needs to end up as a book.

3) Heart Art to me is any image that makes your breath catch, your heart flutter, your eyes stare in wonder as you try to enter the magic the image creates. If I can't stop looking at it, it's probably heart art to me!

4) These days, I don't advertise myself. Jane keeps me busy! And with my teaching jobs, I have as much as I can handle. So, I'm pretty pleased with my picture book work load right now.

5) The most challenging part of being a creator is keeping up with my (and Jane's) ideas. There's so much work I need to create! I need at least five more lifetimes or clones of myself!

6) I didn't hide any easter eggs in MerBaby, although I do sometimes do that. And I do have extra art for MerBaby that didn't make it into the book. What I like about it, though, is that the baby could be a boy or a girl - it's up to the reader.

7) I'm actually in-between books at the moment. Oh, except for the novel I'm writing for my PhD. But another book with Cornell seems to be looming, and I'm hoping MerBaby will turn into a series, and there's a grant project that, if accepted, could lead to four non-fiction picture books. I also have several works-in-progress and books with my agent. So... yeah.

8) A dream project to me would be any work I create that measures up to the standards of the books that made me want to become a picture book creator in the first place. Although, I'm not sure I will ever have the objectivity to see if I've reached that point!
    Thank you for joining me on this creative journey!