Il Sung Na's THE OPPOSITE ZOO


Interview with Il Sung Na

e: What is your creative process, can you walk us through it?
Il Sung:
Ideas come first. I have sketchbooks and files on my computer where I keep all my ideas. An “Opposites’ concept was one of them and been in my folder for a long time. So, I made quick drawings of opposite animals. When I have a strong idea, which I think I want to do, then write a story down quickly. This is a hardest part for me. I spend quite amount of time to write it and revise it several times. Once I have a good shape of story, then it’s all about compositions and drawings. It’s included thumbnail sketches, study characters (or animals) and more drawings. I do some drawings before I have a finished story, but I normally wait until I write a full story (or at least 80% finished story) to play with. Then I make full sketches and colors. Coloring process is most fun part to me with less stress. Maybe I am more visual person than using text.

e: What is your medium?
Il Sung:
I used to use acrylic paint, soft pastel, oil pastel and color pencils a lot. But I wanted to illustrate ‘The Opposite Zoo’ in different way, not in the same way I have done so far. The risk I had was how to approach this story in a fresh manner. I tried mono-print, watercolor, ink and color pencils. I wanted more free-form lines and shapes in contrast to my previous illustrations. So using ink-my long time favorite materials- was a risk: the effects had the potential to go astray with this new method.

color sample_ mono print

color sample_ ink and color pencils


final illustration

e: * What do you think makes an illustration magical, what I call "Heart Art” - the sort that makes a reader want to come back to look again and again?
Il Sung:
I think that’s a power of illustration. When I was a college student, I always wanted to make illustrations that people look and look again. And I thought it has to be beautiful or artistically finished to achieve it. After I spent some good years, I have changed my mind. It doesn’t need to be beautiful or artistic, but good illustrations are that inspire readers’ imaginations. That way, reader want to come back to look again and again. So I would say ‘imaginative power’ or ‘spark imagination’.

e: Is there a unique or funny story behind the creation of this story?
Il Sung:
Well, unfortunately, there isn’t. But the process of making ‘The Opposite Zoo’ was a little different than my previous books.
      I normally spend a lot of time to write a story (or narrative), struggle to get it right. But I only spent three weeks from getting ideas to making a dummy book. When I figured how to start and end the story, that was the moment that my brain clicked. The middle parts followed naturally. I am not saying it was an easy one, but it was also a very unique experience to me.
e: What is your favorite or most challenging part of being a creator?
Il Sung:
My all time favorite part is coloring. Of course I make a lot of failures before I get a right one. But it’s all part of fun. However writing is my most challenging part. I am still learning from reading other good books. I haven’t properly trained or learned how to write a story, but I believe it’s ideas that count. It’s not about writing skills, but it’s what strong idea you have and how you tell it in your own way.
e: What are you working on next or what would be your dream project?
Il Sung:
I recently have finished my new title ‘Bird, Balloon, Bear’ (Alfred A. Knopf, 2017), which is about a friendship between Bird and Bear. This book has more storytelling than my other books, so I am excited about it.
      Currently I am discussing ideas with my editor. I have two or three ideas that I want to do, but let’s see how it goes.

e: Thanks for dropping by!

Lunch by the Sea

Continuing my speed dating play date with author/illustrator Julia Patton, we popped in her car and headed down the east coast of Northumberland. This is a rocky shoreline, deep and dark with crashing waves. I have yet to see it in sunshine, although Stan recently did. And apparently it was a beautiful day for cricket just the day before. But I rather like a grey sky when you spot something like Bamburgh Castle for the first time. It's completely intimidating.
We continued down the coast to Craster where we had lunch at the Jolly Fisherman. Jolly indeed! This was our view during lunch.
Lunch itself was a feast of crab stew, pickled herring, smoked haddock (made just across the street), and various fish dips, which were positively heavenly.
Julia is very happy in Northumberland and its easy to see why. I caught her in a moment of reflection before we left.
On the way back to the train we had time for one last mini-adventure. We drove out to Holy Island. Like Mt. St. Michelle in France, this island is only reachable when the tide is out. Woes to those who don't time their day well!
From there we headed back to the sweet little train station (it only has two platforms - north and south). Julia and I hugged like old friends and yet, I know I've found a dear new friend. I can't wait to go back!

Coloring Page Tuesday - Read To Your Children

     Scientific studies prove that reading to your children does all kinds of good for them. It's a triangle of love - you, your child, and a book. Do it today!
     CLICK HERE for more coloring pages!
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my debut novel, A BIRD ON WATER STREET - winner of six literary awards. Click the cover to learn more!
     When the birds return to Water Street, will anyone be left to hear them sing? A miner's strike allows green and growing things to return to the Red Hills, but that same strike may force residents to seek new homes and livelihoods elsewhere. Follow the story of Jack Hicks as he struggles to hold onto everything he loves most.
     I create my coloring pages for teachers, librarians, booksellers, and parents to enjoy for free with their children, but you can also purchase rights to an image for commercial use, please contact me. If you have questions about usage, please visit my Angel Policy page.

A visit to dear Julia's (Julia Patton)

A mutual friend and editor, Kelly Barrales-Saylor, recently introduced me to Julia Patton. She had a feeling we would get along famously. Oh my, was she right!
     The other day I took the train down to Berwick-Upon-Tweed (pronounced "Burrik"). It's about halfway to Newcastle, a stop I had previously passed right by.
Julia met me at the station with the warmest smile and friendliest wave. The station itself immediately informed me that I was in a much fought over territory between the English and Scottish.
     This was going to be fun. Julia called it a speed-dating play date. And that's exactly what it was. She first drove me around the town of Berwick (which takes about five minutes). I saw the old walls which kept out the English, French, or Scots depending on who occupied it at the time. Although my photos were lacking, take my work for it. It's an adorable little town. Absolutely adorable.
     Then we went to Julia's home. It is property of the Duke of Northumberland (as are all the buildings in Berwick), and is called "The Doll House."
     And it is obviously the home of an artist. Even the most utilitarian of things appear as still lifes waiting to be painted.
     Inside was equally as charming. Vignettes were everywhere and I went a bit nuts with my camera.

     Here's Julia in her sweet kitchen with a view to the outdoor fire pit, party area.
     To the left of the fire pit is her sons' treehouse. I'm not sure I've ever seen a more perfect one.
     Just behind the main house is a smaller one, Julia's studio where she can "get messy."
     And enjoy the view of her garden.
     Which is lovely, despite the slugs she is in constant battle with.
     I took tons of photos of Julia's work. But it occurred to me that most were from books that are about to come out. Publishers may not like the early releases. So, I'm sharing the image above and one of aliens from her "A to Zed" book of ideas and artistic style. It's become her working portfolio and is a diary of explosive illustrative genius.
     We sat at her farm table and had jasmine tea as we talked about finding one's illustrative voice. I'm in the thick of a struggle Julia went through several years ago. She shared how she got through it and found her very distinctive style. I learned so much from her!!!
     But this wasn't all about work - this was about PLAY. So off we went down the coast to lunch. More on that soon...

My square - St. Andrews Square

I am so lucky to walk an almost daily path through one of the most popular squares in Edinburgh - St. Andrews Square. I've talked about it before, when it was home to the Keyframes exhibit and the Christmas Village. But my favorite state for the square is when it has absolutely nothing going on... Nothing but sunshine.
     It's a lovely level ground with a Costa in the corner. You can go get a tea and a snack and then go find a spot. People melt like little dollops of pancake batter on the green expanse.
     I did it myself the other day. I wasn't quite ready to be inside, so I got a snack and sat. The crinkly sound of my wrapper soon drew a new friend.
I gave her a bit of gluten free brownie. I hope ducks can eat chocolate.
     I laid back and enjoyed the sunshine, the quiet clatter of people, the construction worker who lighted the sound of his occasional hammering by singing "DAY-OH!"
It was lovely.
     Of course, being one of the most popular squares means it won't stay still for long. In fact, I walked by the very next day only to find that the square had been transformed once again to show free movies through the weekend.
It's a nice line-up of movies. I hope I can steal a moment to take advantage.
But even if I can't, I know I'll be able to enjoy another sunbeam in the grass there soon.

STUDIO GHIBLI

Enjoy this lovely animation by STUDIO GHIBLI. It's called "Adapt World’s Oldest Manga Into Short Film" I think. It's in another language! Click to go watch:

Monoprinting Workshop

I told you one of the reasons I chose the University of Edinburgh is because of Picture Hooks. Well, Picture Hooks is offering several Masters Workshops through the year. One of them took place recently - Monoprinting at the National Portrait Gallery - which happens to be right at the top of my street. Even so, I hadn't been there yet. It was breathtaking.

George Douglas and Vivian French hosted a two-day workshop on creating simple monoprints. The concept was that not everybody has access to an amazing print lab like we have at the College of Art. No worries, you don't need all that fancy equipment. Our tools were simple. We used water-based inks, simple tools and everyday objects.

First George demonstrated how it all works.
Then he set us to it. It was mostly about simple mark making, which is exactly what I need right now. I'm really trying to go back to the basics in my quest for creating instinctually. Here I am making fun marks.
My results weren't pretty, but that wasn't the point. I was experimenting with pressure, inks, different ways of making marks, etc.
On day two, we took those pages and pages of marks and set to collage. Truly, there's nothing like pulling out the scissors and glue sticks to bring out your inner child. We had a blast.

And the nice thing is, we all signed up for these workshops at the same time. (They filled up in a matter of days.) So, this group of creative souls will come back together again and again. It's a fun bunch - I'm thrilled to get to know them better. And our results were amazing.

My collage turned out rather dark - I call it "Demons in the Forest."
Z'okay, I did a second piece that was a little lighter.
All said, this was a fabulous workshop. Will I do mono printing on my own in the future? Who knows. But at least I know how. And I'm pushing myself and learning - that's key. I can't wait for the next workshop!

Friday Linky List - 10 June 2016

From Libba Bray: Your mileage may vary (good life advice)

From AllDay: 10 Slavic Spirits and Monsters You've Probably Never Heard Of

From Spoon Graphics: 35 Inspirational Typographic Quotes Designers Can Live By - like this one by Lindsay Letters:


From the BBC: Paul Simon on happiness, death and Donald Trump (good advice for writers in there)

From The Directory of Illustration: One-on-one with Brian Grimwood, Founder of CIA (the largest art rep agency in the UK)

From SCBWI: Portfolio Tips from SCBWI Mentorship Winners (There is some fantastic advice buried in here - follow the links!)

From The Booklist Reader: Regretfully Yours: 28 Writers on Their Biggest Mistakes

Annabelle Fisher's THE SECRET DESTINY OF PIXIE PIPER


Why I Write “Funny”
Annabelle Fisher
Dear Annabelle Fisher,
      My class has been reading your book The Secret Destiny of Pixie Piper. We love it! It’s hilarious… The last book we read was kind of sad, so this is letting all the laughs out!”
                -- Emily, fourth-grader
     Like many writers for children, I might not remember what I had for dinner last night, but I can remember my ten year old self in great detail. Though I cherish that age, I don’t idealize it. Two memories from then capture my life at that time.
• A sunny summer day, walking the two blocks to my best friend’s house, feeling one of those little bursts of happiness particular to childhood that seemed to come out of nowhere. I was thinking ten was the perfect age and I wished I could stay there forever.

• Being handed a pamphlet by the same friend’s mother, who told me to read it but not to show it to my mom. It was about how I needed to accept Jesus or spend eternity crawling through a burning desert without a drop of water to drink. As a Jewish child, I felt shame and worry. But I was sure if I told my mom, I’d never see my friend again -- and so, I lived with that secret.
     I doubt the child I was then is much different from a 10-year-old today – at least on the inside. Children have a great capacity for joy, but they also have lots of worries. And no matter how wonderful their relationship is with parents or other caregivers, some of that anxiety stays inside.
      Reading a scary or sad book can help a child prepare for the difficult challenges of real life experience. Such books show kids ways to handle serious problems or even overcome them. But the same can also be true for the stories that make young readers laugh. A humorous book doesn’t pretend that danger, anxiety, or trauma doesn’t exist. But it gives readers a safe distance to laugh at life’s difficulties – and in that way to take the monster down a peg or two. Both types of books can help young readers develop resilience, which child psychologists believe is essential in coping with the hardships and adversities life brings.
      My new book, The Secret Destiny of Pixie Piper, is a humorous fantasy. Ten-year-old Pixie just wants to be a normal fifth-grader (not some poetry whiz kid), live in a normal house (not a cottage shaped like an acorn), with a normal family (not hers!) But then her mom reveals that Pixie has some unusual secrets in her past – she turns out to be a descendant of Mother Goose – and that this heritage will change the course of her future, too. Pixie will need to accept who she is, in order to face what’s coming.
      The story takes a darker turn when the evil Raveneece Greed, a sinister relative of Mother Goose, arrives. Pixie has something that Raveneece wants, but neither readers nor Pixie know what it is until Pix is lured down to her creepy “aunt’s” underground lair.
(Check out Annabelle's fave writing spot - her Acorn Cottage.)
      Now the reason Pixie goes down there is important. Raveneece has Pixie’s beloved gosling, Destiny trapped in a cage. It’s the kind of situation that has kids shouting, “Don’t go down there!” even though they know she will – and they sort of want her to.
      As the author, it was my job to provide a satisfying chill without scaring the pants off my 8-12 year old readers. After all, the thought of a lone kid out in the woods, climbing down a dark hole in the middle of the night might keep a young reader up for years -- which was why I turned to humor for the solution.
(Okay, this is her real studio, with her book.)
      In one of the book’s scariest and funniest scenes, Pixie must teach Raveneece to rhyme if she ever wants to get out of that hole. But in spite of Pixie’s earnest efforts, Raveneece is a terrible student. She’s so bad at rhyming that readers can’t help but laugh at her cluelessness.
      Here’s where the scene begins. Pixie is the narrator:
“Okay, I think we should start with word families. This one is called AT.”
“Never heard of them,” grumbled Raveneece. “Are they part of the secret of rhyming?”
“Oh, yes,” I said, as I wrote a list. AT: cat, bat, pat, mat, rat, hat, sat. “These words sound alike,” I explained. “You can use them to make a simple rhyme. Try this one: “The cat sat on the…?”
“Couch,” said Raveneece.
“No, you have to pick a word from the list. Try again.”
“Cat.” Raveneece crossed her arms over her chest.
“The cat sat on the cat?”
“Sometimes they do!” she snapped.
      As Pixie attempts to take Raveneece further through the rhyming word families, Raveneece’s choices get even wackier. Using humor reduces the fear factor and yet, I don’t think the scene loses impact. The reader gets to giggle, at least for a while. I did, too.

The Secret Destiny of Pixie Piper
by Annabelle Fisher
Greenwillow Books, An imprint of HarperCollins Publishers
ISBN 978-0-06-239377-7